THROATRUINER RELEASES[THRT042] PLEBEIAN GRANDSTAND | Lowgazers
March 31th 2014 · Throatruiner Records/Basement Apes · 2xLP/DIGITAL
"Four years after «How Hate Is Hard To Define» and a pair of splits, here's the long-awaited second full-length from Toulouse, France's PLEBEIAN GRANDSTAND. «Lowgazers» marks another impressive step in the band's quest of total aural devastation : armed with new drummer Ivo (Stuntman, PAL…), the four-piece picks the most dissonant and experimental aspects of black metal, hardcore and sludge to create an unreal vortex of desolation.
From the first notes of "Thrvst", the band reaches new heights of intensity, switching from inhuman blast beats to slow-motion torture, while unorthodox guitar work and painfully shrieked vocals tear the listener from all quarters. Recorded and mixed by Amaury Sauvé (Birds In Row, Calvaiire, Death Engine…) then mastered at New Alliance East (Converge, Gaza, Xasthur), «Lowgazers»'s sounds commensurate to the band's vision, being a ruthless demonstration of power as well as an untouchable pinnacle in extreme music hybridization."
October 15th 2012 · Throatruiner Records/Basement Apes/Get A Life! · 10"EP/DIGITAL
"Tolosian plebs and long-time-no-see swiss cross their swords on this exclusive 10” split, each band carving their grooves with an unique twelve minute-long track. PLEBEIAN GRANDSTAND confirms their hegemony in terms of frightening chaos : the ghostly “I.W.W.O.Y.T.W.Y.W.O.M” starts like a long and punishing funeral procession, just before the thunder strikes the cortege. Becoming less hardcore-oriented and more experimental - while always sustaining a rare intensity-, the band leaves their comfort zone with this hypnotic track swinging between sludge/drone and black metal. After seven years of silence and a full-length (“Initial”) that left a deep impression, “A.F.D.N.T.E.D.E.V.L.S.” marks the comeback of CORTEZ’s acrid and corrosive noisecore. Still bass-less, still as harsh as ever, the swiss trio delivers a massive piece filled with a nearly luminous imperial slowness. An opportunity to check that the band hasn’t lost its touch, entangling crushed rhythms and powerful emotional discharges."
September 9th 2011 · Throatruiner Records/Mayfly Records · 12"LP/DIGITAL
"Three bands, three different interpretations of hardcore/punk, two continents, one policy: Destroy. BONE DANCE (Boise, Idaho, USA) doesn't want to be your friend. The nihilism you'll hear from these self-described "five loud dudes with shitty attitudes", playing their exceedingly raw brand of chaotic hardcore/sludge, will ring a bell whether you're into Gaza or Ken Mode, Botch or Cursed. Conceived with a colossal sense of brutality, yet never forsaking their punk ethos, "West" and "Conniver" will further consecrate this band as one to watch. Remember this goddamned name. No matter how paradoxical it may seem, DIVIDER (Long Island, New York, USA) would prefer to unite rather than to divide. Uniting the sound of more modern filthy hardcore bands with a strong sense of punk emergency, these two tracks ("Gaia" & "Halios Geron" ) introduce Chris Tzompanakis behind the mic, best known for his work with the influential group Skycamefalling in the early 2000's. If you're into Deadguy, The Power And The Glory or Vision Of Disorder, you've found the perfect soundtrack for your next bare-knuckle boxing match. As for PLEBEIAN GRANDSTAND (Toulouse, France), if the shrapnel-laden assault that was "How Hate Is Hard To Define" had you asking for more, this time around there won't be any survivors left to beg for a rematch. If the explosion of screaming and distortion that is "Woe Is Me" isn't enough, then the hallucinatory "Woe Is You", with its Neurosis inspired, trance-like drums, and a throbbing bassline that builds to a crescendo which threatens to tip the richter scale, certainly will be. The first time I heard these tracks, I felt like ripping off my eyelids. And I won't be the one."
March 15th 2010 · Throatruiner Records/Lacrymal/Heckspoiler Music! · 12"LP/DIGITAL
"Focusing on emotions that captivate as no other and questioning them as they would be at stake for everyone. PLEBEIAN GRANDSTAND was presenting more mature elements of composition, telling the difference in what has to become emphasize and what’s to be dropped quickly, so drawing up more progressive patterns on their vision of their music. With "How Hate Is Hard To Define", PLEBEIAN GRANDSTAND has reached uncommon grounds and reaches the top level of uncompromising music."